Polyphony Charcoal by Liz Zylinski

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ARTIST NOTES: I have always enjoyed stretching the boundaries - the limitations, restrictions, possibilities – of ‘normal’ art materials and technique, finding out new and interesting ways of working. This has led me to my current series, utilising transparent colours and working almost exclusively with a palette knife.

From my new technique came composition and harmony, colour and texture, and my series “Polyphony”. Polyphony is simultaneously combining multiple parts, each with its own form and ‘melody’, to produce something more than the sum of its parts.

Working towards pure abstraction, in Polyphony I play with contour and colour, texture and meaning. Are these works truly pure abstraction, or are they landscapes? Are they of our world or from a dream? Are they purely form without reference to reality?

"Polyphony 2022 - Charcoal" explores this theme through a monochrome palette, subtly yet forcefully enhanced by highlights which draw the eye in and around the painting.

The interplay of repeating patterns, repeating texture, repeating colours has created a work of great beauty and interest which will enhance any room.

DIMENSIONS (Height - 71.00 cm X Width - 71.00 cm )
MEDIUM ON BASE Oil on Linen
GENRE Abstract
REGISTERED NRN # 000-43989-0185-01
COPYRIGHT © Liz Zylinski
PRIZES AND AWARDS No Awards

 

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Artist: Liz Zylinski



ARTIST BIO

Diverse in her work, Liz is an Australian artist based in inner Melbourne. She is largely self-taught, disillusioned by inadequate art teaching at school, only confident to return to art as an adult. Dealing with numbers and calculations in her work life, art is a both a contrast and necessary creative release. Over the years she has exhibited at The Gallery, Mount Macedon, in the Gallery’s Creative Palettes exhibitions in 2006, 2007 and 2008 and taught art projects at commercial art/craft shows.

Liz is fascinated by shape and form, the relationship between them, the influence of colour and shadow on what we see, and is constantly inspired by the world around her, both urban and rural. A keen traveller, she is also inspired by the varying architecture and landscapes around the world particularly in Europe.

Liz’s subject matter ranges from stylised portraits, abstracts and still lives, moving more recently to exploring landscapes. The landscape of both Australia and the softer, greener lands of Europe are a constant source of interest and inspiration.

Liz has worked in acrylics, mixed media, water colour pencil, lino and mono prints, but prefers oils for its colour, depth, translucence, vibrancy and ability to layer and push the medium. She uses both brushes and palette knives to achieve texture and movement. Liz is inspired by the work of Sydney Nolan, Fred Williams, Mondrian, Miro among others.

Her work is continually transforming as she further explores the interplay of colour, shape, form and texture in her work. Liz has an intuitive approach to colour and composition, and is often surprised and delighted by the painting which emerges as she works. Her artwork offers but one interpretation of the presented view, playing with colour, geometry, planes, texture and the relationship between elements, often with a quirky addition to provoke and interest the viewer.